4/9/2023 0 Comments 8bit drummer undertale ost![]() ![]() ![]() Megalovania's popularity is justifiable, and its role is certainly appropriate in Undertale (which, again, I won't highlight because it's rich with spoilers). But I feel Hopes and Dreams better showcases what Fox is capable of as a game music composer. It's all over the place, but in a thoroughly good way. Hopes and Dreams is most notable for how it mixes orchestral instruments (albeit synthesized ones) with chiptunes. If someone who's even a little less than hyper-talented tries to make soup out of violins, electric guitars, drums, a cello, and a fistful of Game Boy chiptunes, you're going to wind up with a disaster. Hopes and Dreams is the complete opposite of a disaster, though. It's the kind of song you want accompanying you as you whip down a highway with your windows completely unrolled, perhaps doing 20 over the speed limit. (Disclaimer: Consume responsible amounts of epic final boss music when operating a moving vehicle. Hopes and Dreams segues into Save the World (well, it does so in the music file, anyway. ![]() In-game, there's actually a long pause between Hopes and Dreams and Save the World for story-related reasons. The songs are bridged by Burn in Despair!, and everything comes to a head with the heart-wrenching His Theme). Combined, Hopes and Dreams and Save the World collect and re-master many of the themes you hear throughout your adventure, which is a perfect way to cap off your journey. You hear new takes on Your Best Friend, the aforementioned His Theme, and a much rougher, more rocking version of Undertale's gentle main song, the titular Undertale. In fact, Hopes and Dreams is a good showcase for Fox's skills specifically because it demonstrates how good he is at turning old songs into completely new experiences. Did you realize, for instance, that Waterfall is a remix of Undyne's theme, Spear of Justice? You can be forgiven for having it slip your notice: The former is as dark and melancholy as the area it plays in, whereas the latter is as spirited and reckless as the warrior it belongs to. Mastered by Alan Silverman at Arf MasteringĪlto Sax/Flute - Andrew Gould, Josh Plotner Piano - Jullian Pollack, Natalie Tennenbaum, Steven FeifkeĬongas/Timbales/Percussion - Wilson TorresĪrrangements and Production - Charlie Rosen Guitar - Nir Felder (banjo on trk.4), Alex Wintz, Charlie Rosen Violin - Kevin Kuh, Tomoko Akaboshi, Lavinia Pavlish, Frederique Gnaman Trombones - Alex Juen, Rob Edwards, Darius Christian Jones, Jimmy O'Connell, Nick Grinder, Becca Patterson (bs) Trumpets - Bryan Davis, John Lake, Enrique Sanchez, Joey Lamb, Gabe Medd, Chloe Rowlands, Benny Benack III Tenor Sax - Zac Zinger, Jordan Pettay, Sam Dillon, Chad Lefkowitz-Brownīaritone Sax - Sawa Tamazane, Andrew Gutauskas You might be surprised at how many tunes share the same heritage.Īnd whatever else you do today, do it with determination.Lead Vocals - Kaho Kidoguchi, Gen Parton ShinīG Vocals - Kate Steinberg, Gracie Nash, Danielle Gimbalįlute - Sarpay "Sharpeye" Ozcagatay, Anne DrummondĪlto Sax - Andrew Gould, Mercedes Beckman, Josh Plotner, Grace Kelly If you ever have some time to yourself, go through Undertale's soundtrack on YouTube and play with each song's playback speed. ![]()
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